The Publisher Who Needed More Than English

A publisher working in a right-to-left (RTL) language faced a familiar problem: most editorial AI tools assume left-to-right text flow and Western typographic conventions. Their existing workflow felt cobbled together, with localization gaps that slowed production and frustrated editors.

During a four-week trial, we ran a tight feedback loop. Multiple iterations, frequent check-ins. The tool hadn't been designed for their language's specific needs—text direction, character handling, editorial conventions that differed from English norms. We refined the workflow until it matched how their editors actually worked.

They became our first non-English subscriber. More than that, they gave us a repeatable approach for expanding into other languages and markets. When a new publisher asks whether we can support their language, we now have a tested method for getting there.

More Success Stories

Explore how other teams are transforming their editorial workflows.

Ten Books a Month

A genre publisher releases ten to twelve titles monthly. Romance, fantasy, thrillers—each with its own conventions, each on deadline. Their in-house editorial team was stretched thin. Quality varied. Deadlines slipped.

Self-Editing Across Borders

Authors working in English come from everywhere. Some write from London, others from Dublin, still others from Berlin or Barcelona. They share a language but not always a publisher, not always a market.

The Fiction Editor Who Wanted Her Voice

A small independent publisher needed to scale without losing what made their books distinctive. Their head of books had spent decades developing an editorial sensibility—one that couldn't be captured in a style sheet but showed up in every margin note.

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